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The ebony ’board is perfectly smooth and naturally finished and while a 17-inch fretboard radius implies a flatter-than-average surface, there’s a noticeable curvature – which takes very little getting used to, even if you’re more accustomed to a rounder radius. The three-piece neck has mahogany sides and beautifully flamed maple in the middle Once again, we’ve yet to play a Music Man that doesn’t have a fabulous neck.
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Regardless of depth measurements, the wonderfully rolled fretboard and supporting shoulders of the neck ensure that the underside of your first finger and thumb are guaranteed a comfortable surface. Music Man’s traditional 4+2 machinehead configuration is a 5+2 here, but the Tiger Eye is available as a six-stringĪfter spending some time putting it through its paces, the flat radius and slim neck prove to be very supportive of all hand positions, not just the thumb-behind-the-neck that technical players are so often associated with. The 2019 models have dropped the two-tone colours and introduced some new finishes which, although striking, are more conventional. However, with its stark ergonomics, extended and protruding upper horn, the finishes accentuated unusual aspects of the design and perhaps diminished its potential to appeal to a more conservative audience. When first introduced, its finish was designed to exude a race-car vibe – appropriate for the high-octane speed-picking pioneer it was designed for – with two-tone colouring and a maple ‘shield’ intended to mimic a sheet of carbon fibre. Over the years, the Majesty’s ongoing development has yielded much improvement to its appearance. The other Majestys have either a mahogany or basswood body and are priced at around two thirds of the cost of the review model. Limited to a run of just 300 and available in both six- and seven-string versions, it is the only Majesty in the range to feature a maple top, flamed maple neck and an alder body. The Tiger Eye is the flagship of the 2019 Majesty range.